Earlier this year, we attended a music festival on the Barra de Colotepec near Puerto Escondido, Oaxaca. This is where the Colotepec River meets the Pacific Ocean, creating a rich natural environment away from the bustle of the city.

Oaxaca, consistently ranked as one of the three poorest of Mexico’s 31 states, can also claim the title of having the country’s worst school system. Demonstrations and rallies by students, teachers and unions are a regular occurrence in Oaxaca City, causing frequent gridlock in the center of town. The walls of the city in bold graffiti reflect the young voices of the social movement: sometimes, a mere angry scrawl, but more often, these are canvases that will move you to pause and consider these depictions of revolution, past and present. One such wall is on Calle Porfirio Diaz in the Centro Histórico. It’s the exterior of Espacio Zapata, the home of the Asamblea de Artistas Revolucionarios de Oaxaca (ASARO).

Editor’s note: We are very happy to be able to add Oaxaca to the growing list of cities CB is covering. Our coverage of that city’s deep and fascinating culinary scene begins today, with our report on Oaxaca’s State of the Stomach. Every Sunday, a vendor named Domitila heads out from a village called Etla and makes the hour-long journey to Oaxaca, where she sets up a small stand at a market on the north side of town and sells tamales filled with her homemade stews and moles. The many ingredients for these stews and moles cook slowly, for hours, after which Domitila combines them with spices, chile, chicken or cheese and mixes them into a cornmeal dough spread inside a cornhusk and then steamed – the quintessential Oaxacan snack, one that combines all of the area’s agricultural and culinary richness in one package.