It took four years and four months, but Mercado do Bolhão, Porto’s central market and historic icon, finally came back to life in September. The first to arrive at the reopening was Nossa Senhora da Conceição, the market’s patron saint, whose image was installed in front of the new structures that are now part of the centenarian building. Located at the entrance to the grand market, which measures more than five thousand square meters, the saint's image welcomes the visitors who have filled the new space every day since the doors finally opened.

The origin of Gelataria Portuense is not your average love story. It is a more intricate tale, worthy of the universe of writer Isaac Asimov, as it begins with a woman's passion for a machine. In this case, the woman is the Porto-based gelatiere Ana Castro Ferreira, and the device is called Effe, a prodigious gelato machine created at the hands of Otello Cattabriga, an ingenious and talented Italian inventor. When Ana – who formerly worked as a researcher on sustainable energy systems for buildings – took an interest in gelato, she went about searching for a gelato-making class. While investigating online, Ferreira came across a video in which skilled hands demonstrate the agility and elegance of the Effe machine.

Wearing a light beige cape down to their feet with an R embroidered in golden threads on the left side of the chest (an outfit which would make even Harry Potter jealous!), a group of young adults hug each other, pose for photos, and take selfies with their smartphones. They are getting ready to step into the theater of the Ateneu do Porto, a room with rococo decor, dark red velvet curtains, and wood carved in adjoining designs painted in gold, which has hosted some of the most important national and world artists here in the second largest Portuguese city. By the clothes and the pomp of the event, one could predict that something important is happening.

Rissóis (plural) are half-moon-shaped savory pastries of peasant origins, and from grandmothers' houses to bakeries to the classic tascas, they are as ubiquitous in Portugal as cod fritters. However, the rissol is less popular than its contender, even though it is the perfect appetizer for any occasion, with a variety of different fillings which range from minced beef to shrimp.

Forget the famous francesinha. The best sandwich in Porto – arguably in the country – can be found in a little 1970s tile-lined eatery; the unremarkable interior belies the iconic status of its most celebrated dish. Served up on the corner of Praça Poveiros, a square named after the fishermen from the storied maritime city Póvoa de Varzim, located just north of Porto, the sandes de pernil (roast pork sandwiches) are a curious joy to watch being assembled as well as, of course, to eat. One by one, roast pork legs are slowly cooked in the huge oven in the kitchen behind the bar of Casa Guedes. They are then served directly from the roasting tray by the owner himself, Mr. Cesar.

Caldo verde, Portugal’s most famous soup, doesn’t sound like much in English – “green broth” is the literal translation. I was thinking about this when reading an article on the 20 best soups in the world, which a friend sent to me, noting that caldo verde (a “homey soup” where “thinly sliced greens meld with potatoes and onions”) had made the cut. The article refers, in general, to the restorative power of soup, a belief that is held in very different cultures across the globe – which sounds about right to me. But then the author references a book that broadly defines soup as “just some stuff cooked in water, with the flavored water becoming a crucial part of the dish.” And I have to disagree there, because caldo verde is so much more than flavored water. How to explain that it is a feeling?

Just like at Porto’s central Campanhã train station on Rua da Estação, O Astro Cervejaria Petisqueira on the other side of the street is reliably crowded every day. Its strategic location near the station helps account for that. But what really draws the crowds in is O Astro’s reputation as a must-stop for the definitive take on the bifana, one of Porto’s signature sandwiches. Much like the train station, O Astro brings locals and visitors together from all over Portugal, in search of one of Porto’s essential bites. At the most elemental level, the bifana is a pork sandwich, and in its most traditional form it includes thin slices of braised pork shank tucked into a crusty roll called a carcaça.

Thirty-year-old João Cura and his wife, 29-year-old Sofia Gomes, may be young but they have long had a wish to open their own restaurant. Yet it was never totally clear where or when they would fulfill this dream: both are originally from Coimbra, a city in central Portugal, and worked for years in Barcelona. The couple finally found a perfect spot, in Porto of all places, to open Almeja, which fittingly means “to want or to wish for something very much” in Portuguese. Talk about a dream come true.

The restaurant that Inês Mendonça dreamed of can only be described using the Portuguese expression levantar as pedras da calçada – literally, to raise the stones from the sidewalk” –to create something totally new and groundbreaking. When Porto’s now-popular Ruas das Flores was being restored, the din of construction clanging as workers labored to turn it into a pedestrian-only thoroughfare, Inês was seeing miles ahead. It was there that her restaurant would open its doors, she decided, and it would be a place different from all the rest – relaxed and full of curiosities.

Much like 2020, this year was marked by the shadow of the Covid-19 pandemic, which took over the city's restaurant scene. While there were some glimpses of normalcy here and there, the fact remains that Portugal’s year started with a new lockdown that forced Porto restaurants to totally close their doors in February. It was deja vu almost a year on the dot. Some of these eateries never reopened: The recently inaugurated Esporão no Porto was one of them. The first project outside Alentejo of the renowned winery Esporão (whose restaurant of the same name just received a Michelin star) didn't even last a year in the city. The Astoria, a city landmark restaurant in the luxury Hotel InterContinental also announced its closure.

More than forty years ago, on the corner of Porto’s Rua da Alegria, or “Street of Joy,” sat an old charcoal shop. In 1978, after many years working in a renowned local restaurant, Fernanda (Nanda) Sousa took over the shop with her husband and, together with another couple, they converted it into what’s locally known as a “pastoral house.” With barrels of wine scattered about and ham hocks hanging from the ceiling, it was the quality of the food, not the interior, that elevated Casa Nanda to restaurant status. Now, 40 years on and having stared Covid-19 down, Casa Nanda has reopened on Rua da Alegria after a months-long renovation.

Manuel Azevedo and Francisco Moreira, now both in their 70s, have been friends since childhood. Such a close connection has afforded them the trust and togetherness required to run O Buraco, the restaurant in Porto that the duo have presided over like generals for almost 50 years. In fact, it was right after completing his military service that Manuel, a native of Marco de Canaveses, a city within the greater Porto municipality, came to Porto proper in search of work. “I picked up the newspaper, saw the ad, applied and was hired as a waiter,” he tells us. On February 4, 1971, he entered O Buraco (“The Hole” for the first time; he hasn’t left since.

When the late 19th-century Portuguese artist and cartoonist Rafael Bordalo Pinheiro wanted to create a vehicle through which to mock and criticize the country’s powerful elite, he settled upon the character Zé Povinho, an unsophisticated country laborer who served as a stand-in for the average citizen. While some Portuguese people took umbrage with their country’s everyman being depicted as a simple peasant, time has softened this criticism, and Zé Povinho has become something of a national icon. “Little by little, we started to see him with a certain tenderness, as a symbol of the Portuguese identity, a reminder of where we came from,” says Andrea Salomé, a restaurant owner in Porto.

“Bom filho à casa torna,” we like to say in Portuguese, a maxim that translates to “a good son comes home.” Can the saying be applied to a sandwich? In Porto, we would argue, the answer is yes, especially now that A Regaleira, the birthplace of the francesinha – Porto’s signature dish – is open again after being closed for three years. Even former A Regaleira regulars passing by the reopened restaurant might miss the fact that it has moved a few doors down from its original location. We could have sworn that the restaurant was in the same spot since 1934, but the original A Regaleira was forced to close in 2018 when the building housing it was sold.

We were crawling through traffic on Porto’s ring road in our rental car when dawn finally caught up to us, illuminating the spectacular view of the Douro River down below. That slice of the waterfront quickly glided past as we exited the bridge, soon replaced by the lush rolling countryside south of the city: olive trees, low grape arbors. We were on our way to Santa Maria de Lamas to visit the headquarters of the world’s largest cork producer, Amorim Cork. Like most visitors to Porto, one of the first things we did upon arrival was a port wine tasting, perhaps the most famous feature of the city’s culinary culture. It was December 2016, and we had barely unpacked our bags before strolling down to the Douro River’s quays and finding a small spot to partake in this delightful ritual, one that has evolved over centuries.