Lazduá

Gathered in the parks of Oaxaca during the early 2000s, groups of high school friends, including our dear Roberto, would herald in the end of another school year and the start of a summer of easy living with refreshing nieves in hand. A cup of icy, colorful nieve marked the beginning of carefree afternoons and liberation from homework. Lined up in their wooden containers, the diverse and bright array of fruit nieves resembled the exuberance of the summer unfolding around us: the rich green of the trees, the gentle yellow of the afternoon sun and petricor – a beautiful Spanish word describing the subtle and comforting smell of moist earth after rain.

Vanille Noire

When we first arrived in Marseille, we heard rumblings about a most intriguing ice cream flavor. A “black vanilla” whose color and savory taste was rumored to come from squid ink, fitting for the city’s Mediterranean perch. In a city where exaggeration is the norm, we had to go check it out for ourselves. A long line snaked from Vanille Noire, the name of both the ice cream shop and famous flavor. The vendor handed us our scoop, so black it looked like a photo negative of a vanilla cone. Our first lick was rich Madagascar vanilla. A few seconds later, the sweet became salty like the seaside air. We were hooked – regardless of what it was made of.

Fried Fellowship

Our first New York encounter with loukoumades was under a canopied table, in a church courtyard, at a Greek festival in Brooklyn Heights many years ago. The ladies who fashioned these dough fritters, one by one, seemed just as attentive to the behavior of their (mostly young) customers as they were to the cook pot. No tomfoolery, their expressions told us, or no loukoumades. Since then we’ve seen loukoumades at many similar events, most recently in late spring outside a Greek Orthodox cathedral in Astoria. A line of would-be festival-goers, who had endured month after month of Covid regulations and cancellations, stretched a considerable distance down the block. Food, we’re sure, was one attraction.

Climavore

Turkey’s rich regional food culture reflects its diverse landscapes: seafood, olive oil and wild greens along the Aegean Sea; wheat- and meat-heavy dishes in the country’s heartland; corn, collards and anchovies on the rugged Black Sea coast. But with climate change altering the environments that produced those ingredients, what will happen to the dishes they inspired? Will the way people in Turkey eat have to change too? And if so, how? Those are the kinds of questions posed by CLIMAVORE: Seasons Made to Drift, a thought-provoking exhibition on display at Istanbul’s SALT Beyoğlu cultural center on İstiklal Caddesi until August 22.

Hacienda del Parián

The Hacienda del Parián in Ocoyoacac, a rural village on the outskirts of Mexico City, got its start twenty-six years ago, when the local Ocampo family joined forces with other charro (“cowboy”) families to recreate a traditional estate. The idea was to preserve two very strong Mexican traditions that used to live side by side in haciendas: la charrería, the Mexican equestrian tradition, and rural Mexican cuisine. The estate they built is big enough to celebrate a wedding or a charreada, Mexican-style rodeo, or even both at the same time! It’s also home to a restaurant, which is managed by Christian Ocampo, who started working in the catering side of the family business before moving over to run the restaurant side of things.

Quesadillas La Chaparrita

“Do you want fat on those?” At Quesadillas La Chaparrita in Mercado Jamaica, the correct answer is always yes. At the nod of our heads, the young woman manning the grill splashes a little melted lard onto each of our quesadillas with her spatula and slides them over into the hot center of the concave grill top. Somehow she keeps each bunch of quesadillas or gorditas separate from the next as three other women buzz around her – one prepping fillings, one making tortillas on a hand press, and one to her right making change and wrapping up to-go orders. It’s a perfectly timed culinary dance.

Maison Payany

In France, the poissoneries (fish markets) are often decorated in a palette of blue to evoke the sea while boucheries and charcuteries are blood red. Rouge, the color of meat, pops up on tile walls, around deli counters and on awnings above shop windows so that customers can spot their meat purveyors from afar. That was the case at Maison Payany, an artisan charcutier in Marseille’s 6th arrondissement, until its new owner gave it a fresh coat of pink. Marie Caffarel took over Maison Payany in the spring of 2019. Despite the unorthodox paint job, in many ways she has upheld the traditions of this neighborhood institution, which prior to her arrival had been run by three generations of Payany men since 1932.