It has been 12 months since the novel coronavirus was first detected in Georgia. It was about the same time two CB colleagues, Celia from Lisbon and Chiara from Naples, arrived for a brief visit and joined us for what would be one of our last food walks of the year. Later, we went to one of our favorite restaurants, Aristeaus, where four guys at a table casually sipping wine broke out into goose-bump-inducing polyphony while we dined near the fireplace on shkmeruli, kupati, dambalkhacho and a bottle of fine rkatsiteli. As dinner memories go, this ranks highly not only for its serendipitous brilliance, but also because it would be the last time we would ever eat there – the restaurant closed for good in late 2020.

Some people believe that a cup of coffee is the same everywhere. We like to think that they haven’t been to one of the Mexico cafés in Naples, where even a coffee novice can understand he has come face-to-face with a very special brew, one that took years to perfect. When you enter a Caffè Mexico – there are three in Naples – an extraordinary smell envelops you. It is the smell of history, one that often seeps into furniture and timeworn objects. The main source of this smell is coffee (the Passalacqua brand, named after the café’s founder), both from the grinder, operated by a dedicated member of staff, and also the retail counter, where coffee beans are constantly being scooped and weighed and packaged, releasing their aroma throughout the room.

A former industrial center, eastern Lisbon has gained a new vibrancy of late, with old factories and decrepit warehouses made over into art galleries, restaurants and breweries. Not even the pandemic has been able to stop this development: A Praça, a marketplace connecting Lisboetas with producers from around the country, has recently set up shop in an old meat-processing plant and civil personnel canteen in the former Manutenção Militar, the industrial area of the Portuguese Army that’s now home to Hub Criativo do Beato. The project is set to open to the public later in the year but is already up and running digitally, offering many products, including fresh produce from local farmers, artisanal smoked sausages, wine, cheese and olive oil, for takeaway and delivery.

“A proper Rum house has to have everything,” a venerable chef once told me in Greek, the language that we have proudly spoken within our Istanbul community for more than 2,000 years. “Spoon sweets, lakerda, pickles, liqueurs…” He then puckered his grey mustache and switched into Turkish: “Olmazsa olmaz,” which is best translated by the Latin phrase sine qua non. Many of these essential culinary preparations appear in my novel, A Recipe for Daphne, which is both a love story and a meditation on the past and future of the community. But just who are the Istanbul Rums? The thoughts of my novel’s main character, Fanis, explain the term best.

Some of my strongest childhood memories are of warm afternoons spent at my grandparents' garden in Oaxaca, sitting around a big table eating all sorts of snacks. My grandfather would ask all the cousins to line up, close our eyes and open our hands, into which he would place a “special candy.” Then came the challenge: “I will give 10 pesos to the first one who eats the candy without opening their eyes.” Little did we know that these so-called “special candies” were chapulines (grasshoppers), little insects with tiny legs and a tangy flavor. Our grandfather's jokes introduced us to a world of challenging flavors and textures that eventually became synonymous with home, where we were surrounded by delicious food and innocent laughter.

Daiji Takada, owner of Chabuzen, peeks out over the counter from the kitchen, which has about a meter-long strip of standing space for one at most. The interior of this narrow restaurant on the very fringes of the hip neighborhood of Shimokitazawa in western Tokyo isn’t much more spacious. Two low tables on tatami provide enough room for around six to squeeze in, and there are two stools at the counter – although occupying those spaces would almost certainly prevent anyone from getting out the door. With the surety of someone well-used to playing human Tetris, Takada deftly steps out and expertly delivers a plate of gyoza onto the table. He has just made these lovingly by hand and cooked them in a small, plug-in fryer.

This is the season when almond trees blossom in Greece. They usually begin blooming in January, unless the winter is colder than normal, in which case you start seeing the flowers later, in mid-February. The dreamy white-pink blossoms resemble those of the cherry tree and can be found in abundance in most parts of Greece, especially in the south, including Athens and its wider region of Attica, and on the islands. Believed to originate in Western and Central Asia, almonds were widely produced and used in ancient Greece dating back to at least the 3rd century BC, according to historians. The nut was highly valued for its medicinal properties (Hippocrates made use of it in remedies).

Having food delivered used to feel like a very decadent thing to do in Tbilisi. Probably because our neighbors, who tend to be ever judging, would scurry to their windows at the sound of a full throttle motor scooter bouncing up our cobblestone lane. “What’s that they’re doing?” we could imagine them mumbling, watching us walk out as if we’re making a drug deal, self-conscious and counting out money only to hurry back home with a couple of pizza boxes. Nobody had meals delivered in Georgia. It didn’t take long, however, to get over our insecurity. When a takeout sushi joint opened a few blocks away, we called them to deliver instead of making the five-minute walk to fetch the maki rolls, simply because we could.

As the nearby church bells toll the noon hour, customers start to congregate around the Pachamama Sud food truck. Two men sip Argentinian beers at the counter, munching on chips and guacamole offered by the owner, Nanou. Another customer bellies up to the colorful truck, only to look confused by the menu. Nanou explains the difference between a taco and a tortilla, handing him a taste of her famous sweet potato fries as an amuse-bouche. Pachamama Sud is turning the city, one Marseillais at a time, onto the flavors of Latin America, a foreign land for so many in spite of Marseille’s rich multiculturalism. From Argentinian empanadas to Peruvian manioc balls and Mexican smoked chicken tacos, the menu invites customers to “travel with their taste buds,” explains Nanou. “With no passport required.”

Much as we may love the kitchen, and while the lockdown has given us plenty of time to experiment with old and new recipes, there does come a moment when the cook needs a meal off. Whether it’s because you have neglected to shop, have run out of inspiration or simply hanker for a dish prepared by someone else, being able to order from a place that has something more exciting than pizza, souvlaki, hamburgers and crepes is a very welcome treat. Some tavernas have come to the rescue, offering takeout from their regular menus, but the owners of a landmark Kifissia taverna have taken that option one step further and opened a special shop catering to takeout and deliveries. Cookos – the name is a play on the words “cook” and “kos,” the abbreviation for Kyrios or Mister – opened on December 15, 2020.

Like many cities around the globe, Mexico City has seen the pandemic wreak havoc on tourism and restaurants, two often intertwined industries. Many restaurants and hotels have already closed their doors, and many more employees have lost their jobs. Yet in the midst of this storm, two young siblings, Pamela and Jaime, decided to open a world-class coffee shop. Forgoing the high-end and trendy neighborhoods of Condesa, Roma and Polanco, they opened Di Caffé in Tlalnepantla, one of the northern suburbs, in May 2020. We spoke to these young entrepreneurs about their decision to open a business during the lockdown as well as their travels around the world, which inspired them to create an international coffee menu.

These days, plenty of traditional restaurants in Lisbon display in their windows a homemade sign reading “Há Lampreia.” We have lamprey. This simple message is usually illustrated by a pixelated photograph of said creature, almost always taken from Google. While lamprey, an eel-like fish, is one of the ugliest in mother nature’s portfolio, many people are delighted to look at it. That’s because lamprey, the ingredient, has a lot of fans in Portugal, especially in the areas around the rivers (Minho in the north, and Tejo in the center) where it is usually caught during its spawn migration period, from January to April.

This is a day to do nothing. After a week of working from home, I’m facing another weekend of lockdown. Our restaurants are closed, and so are the bars – nowhere to get a drink. It’s raining outside, and I realize that I have chosen the wrong book to read: “The Winter of Our Discontent” by John Steinbeck makes the pandemic numbers even more difficult to bear. I open my computer and scan the news. Stopping to read an article about the selection of the year’s best Port wine, I remember that, yes, January 27 was declared International Port Day – a day for the world to celebrate this fortified vinho – a decade or so ago by the Center for Wine Origins, an organization in Washington D.C. At this point in time, I’ll take any reason to celebrate.

Opening a restaurant during the pandemic was a “big risk,” Khaled Khan tells us. With his business partner and longtime friend, Tozammel Tanzil, we’re sitting in the back of Boishakhi, which they introduced last autumn in Ozone Park, a neighborhood in southern Queens not far from JFK Airport. “People don’t want to take chances on food they don’t know,” Tozammel adds. Boishakhi, a new sibling to an Astoria restaurant of the same name, serves the food of Bangladesh. Born in the 1947 partition of British India and previously known as East Pakistan, Bangladesh is a densely populated country on the Bay of Bengal that shares a small border with Myanmar. Its only other immediate neighbor is modern-day India, which envelopes Bangladesh to the east, north and west.

In Marcel Pagnol’s iconic 1930s Marseille trilogy, dockworkers sip pastis at Bar de la Marine, a Vieux-Port bar that still stands today. Later in the century, pastis is as prominent a character as its star, Detective Fabio Montale, in Jean-Claude Izzo’s 90s Marseille noir crime novels. The city’s quintessential quaff is as popular as ever in present day Marseille. At lunchtime and apéro hour, locals clink glasses filled with the opaque green elixir on sun-soaked terraces. A group of tracksuit-clad fans shares a bottle of Ricard on the Velodrome steps before an OM game. “It is a drink meant for sharing,” says Guillaume Strebler of local Distellerie de la Plaine.