With Marseille restaurants shuttered in the Covid era, many have transitioned to offering more takeout-friendly fare: namely, sandwiches. The hip bistro Cedrat’s 15-euro “hot fish” features a house-made fish sausage, poutargue (dried red mullet eggs) and seaweed. Michelin-starred fine-dining chef Alexandre Mazzia cures his own pastrami for a decadent, €21 croque-monsieur. Yet while high-end hoagies make fine once-in-a-while treats, we remain loyal to the old-school sandwich stand Chez Fanny. Located a few blocks up the hill from the Vieux-Port, this corner stand serves up fantastic sandwiches at phenomenal prices. The menu includes classics (think merguez-frites) and signature sammies that make the most of the region’s bounty.

As the nearby church bells toll the noon hour, customers start to congregate around the Pachamama Sud food truck. Two men sip Argentinian beers at the counter, munching on chips and guacamole offered by the owner, Nanou. Another customer bellies up to the colorful truck, only to look confused by the menu. Nanou explains the difference between a taco and a tortilla, handing him a taste of her famous sweet potato fries as an amuse-bouche. Pachamama Sud is turning the city, one Marseillais at a time, onto the flavors of Latin America, a foreign land for so many in spite of Marseille’s rich multiculturalism. From Argentinian empanadas to Peruvian manioc balls and Mexican smoked chicken tacos, the menu invites customers to “travel with their taste buds,” explains Nanou. “With no passport required.”

In Marcel Pagnol’s iconic 1930s Marseille trilogy, dockworkers sip pastis at Bar de la Marine, a Vieux-Port bar that still stands today. Later in the century, pastis is as prominent a character as its star, Detective Fabio Montale, in Jean-Claude Izzo’s 90s Marseille noir crime novels. The city’s quintessential quaff is as popular as ever in present day Marseille. At lunchtime and apéro hour, locals clink glasses filled with the opaque green elixir on sun-soaked terraces. A group of tracksuit-clad fans shares a bottle of Ricard on the Velodrome steps before an OM game. “It is a drink meant for sharing,” says Guillaume Strebler of local Distellerie de la Plaine.

Located at the eastern edge of Marseille, Saint-Julien is a far cry from the bustling city center. Here, congested boulevards stretch into narrow streets, and birdsong, not the honking of scooters, fills the air. The residential neighborhood has mostly standalone houses, from 17th-century bourgeois bastides (farmhouses) to 20th-century homes built by immigrant families searching for a small-town vibe. One of them feels like it’s set in an Italian village, thanks to an enterprising Sicilian. Liliane Casteldaccia runs Sicile Authentique, an épicerie, restaurant and small catering company, out of the ground floor of the house in which she grew up. At the foot of the driveway, the wood-paneled dining area is peppered with maps and Italian memorabilia.

Editor’s note: To further explore how the pandemic has affected the areas featured in our 2020 “Neighborhoods to Visit” guide and what recovery may look like, we will be publishing dispatches from restaurants, markets and food shops in these districts all week long. The close links between Marseille and the French island of Corsica are, in some ways, clearly marked in the city. Like the red-and-white Corsica Linea ferries docked in Marseille’s port that make daily crossings across the Mediterranean. Or the prevalence of Corsican canistrelli at Marseille’s boulangeries and biscuiteries.

Homemade bread was a byproduct of the Covid-19 lockdown worldwide, as witnessed by the lack of flour on supermarket shelves and proudly displayed loaves on Instagram feeds. I understood the trend – bread gave people a sense of purpose, warmed homes with comforting scents and filled the void left by closed-down everything. Plus, the act of kneading gave the one-two punch of stress relief and tactile pleasure. Yet, I felt no need to knead. For I live in France, the land where boulangeries churn out 30 million baguettes a day. A place where bread is such an integral part of life that no meal is considered complete without it. Whatever I made at home wouldn’t match the loaves of someone who has devoted their life to the craft of bread making.

Holiday traditions tend to be tied to numbers. In southern Italy there is the Feast of Seven Fishes on Christmas Eve, while in Poland, the night before Christmas is celebrated with borscht, herring and poppy seed cake at the 12-course Wigilia. Here in Provence, our lucky number is 13, with the Treize Desserts de Noël. By no means a static tradition, the 13 Desserts of Christmas have evolved over the centuries. Its first mention in 1683 by Marseille cleric Francois Marchetti in Explication des Usages et Coutumes des Marseillais (An Explication of Customs and Traditions of the Marseillais) detailed 13 breads, not desserts, alongside cakes and dried and fresh fruit. The table was topped with three tablecloths to represent the Holy Trinity – a custom that some families still practice today.

Around this time of year, the smell of dough frying fills the air on a side street off Marseille’s busy Rue de Rome. The source of the enticing scent is Patisserie Avyel, a small kosher bakery and salon de thé in the midst of preparing for Hanukkah, which in 2020 begins on the evening of December 10. For Hanukkah, the Festival of Lights, Jews often make fried treats to commemorate the miraculous oil that kept a lamp burning for eight days instead of one in the rededicated Temple in Jerusalem some 2,200 years ago. Latkes – potato pancakes – might be the best-known Hanukkah food, but frying up dough is another popular tradition, with these holiday “doughnuts” varying by geography.

When we first moved to Marseille, a jewel box of a shop caught our eye while wandering around the Vieux-Port. Its window display was stacked with chocolates: smooth rectangular bars, green and brown olivettes (chocolate-covered almonds) and slabs studded with every kind of nut. When a customer opened the door to leave, the strong scent of cocoa hit our nostrils, luring us inside. The artisanal chocolate shop, named La Chocolatière de Marseille, is run by Alain and Zerrin Semerciyan. All the chocolates are made upstairs, hence the alluring aromas that perfume the shop. Since 2014, the couple has developed a faithful clientele for their delicious wares: slabs (tablettes) of dark, milk and white chocolate traditional to European chocolatiers, orange rinds (orangettes) dipped in chocolate, and the barre marseillaise, a delicacy that can only be found in Marseille.

Giant sacks of organic Moulin Pichard flour are stacked high at the entrance of Pain Salvator. In the back of the boulangerie, the open kitchen hums – a baker rolls out dough as another one pulls out beautifully browned loaves from the oven with a giant wooden paddle. A third clad in a flour-dusted apron stacks the freshly baked goods on a metal cart, rolling it beside the counter in anticipation of the midday rush. For owner Nicolle Baghdiguian-Wéber, being able to glimpse the bakery in action is intentional, the “real effort that goes into making bread,” she explains. Unlike others who “display their breads behind glass like in a pharmacy,” she wants her customers to see “flour on the floor, hands in the dough, the hard work.”

Although reputed for its meat, La Femme du Boucher is nothing like your classic steakhouse. Plants dangle from the ceiling and sprout on shelves, making the covered patio feel like an outdoor garden, and a heap of roasted vegetables gets equal footing with our huge hunk of boudin, or blood sausage. We have chef Laëtitia Visse, the woman behind “The Butcher’s Wife,” to thank for this departure from the clubby, gentleman vibe. The young chef’s first restaurant reflects her simple desire: to serve up great food and good times. The generous plates and convivial space help see to that.

“You’re going to need this,” the owner winks, handing us a steak knife to dig into our colossal calzone. When a customer wanting a quick bite orders macarronada (penne topped with meatballs, sausage and tomato sauce) he warns that it’ll take some time since “we make our pasta fresh.” Clearing the table next to us, he teases a woman for not finishing her plate, like she was family rather than a customer. Fitting for a restaurant that feels like you’re dining in an Italian home. Tucked away on the sloping side streets of Saint-Lambert, Le Vésuvio is a slice of Italy in the heart of Marseille. For 20 years, Salvatore and Anne-Marie have dished up wood-fired pizzas and hearty pastas from their homeland. Garrulous Salvatore runs the front of the house while his more discreet wife – whom he affectionately calls “the boss” – cooks unfussy Italian classics.

A man leans on the zinc bar, reading La Provence with his café. In wanders a helmet-clad father-daughter duo, searching for sirops (a sweet cordial) to cool off after their scoot. She looks hungrily at the platter of cookies on the bar, freshly baked for that afternoon’s snack. Beside them, the bartender peels a fragrant pile of ginger for the evening’s cocktail rush. At all-day café Le Parpaing qui Flotte, there’s good food and drink to be had at any hour. Neighborhood regulars ease into the day with a coffee. The tasty food draws a steady lunch crowd, and at apéro hour, the outdoor terrace fills up for post-work drinks. As night falls, a younger crowd enjoys some of the city’s best cocktails and tapas.

A waiter whisks platters of schnitzel and heaping challah-bun burgers to a large family, their laughter reverberating throughout the long dining room. We watch a pair of men beside us tuck into a Flintstonian-size steak as we try to fit our family-style vegetarian feast onto our small two-top. In spite of its quiet side street locale, Yossi resounds with a dinner party conviviality the moment you step inside. Situated near Marseille’s most prominent synagogue and the Rue Saint-Suffren, aka Rue des Juifs (Road of the Jews), Yossi is a kosher restaurant serving up Israeli comfort food in an industrial chic space that bears all the markers of cosmopolitan cool: exposed pipes, brass light fixtures and an open kitchen decked out in subway tiles.

In Total Kheops, the first book in his iconic Mediterranean noir trilogy, Jean-Claude Izzo writes how Marseille is “a place where no matter who, and no matter what color, can descend from a boat, or a train, his suitcase in hand, without a cent in his pocket, and assimilate in the sea of other men...” Crossroads city, transit city, refugee city, promised land. For over 2,600 years – Marseille has the longest-operating port of any coastal Mediterranean city according to AGAM (the city’s Department of Urban Planning) – immigrants have disembarked in the harbor here, creating a cosmopolitan culture that is unique in France.