Georgians swear that natural wine does not give you a hangover, but something is keeping us in bed watching superhero series on Netflix and it is not the compelling storylines. Vato Botsvadze, owner of Chacha Corner was also at Zero Compromise yesterday. He will insist in all seriousness that his morning headache was a result of the rain, which stopped just before the greatest party in Georgia started. We’re talking about the eighth New Wine Festival, organized by the Georgian Wine Club, a group of over a half dozen wine enthusiasts who have been at the forefront of developing, promoting and educating people about Georgian wine since 2007, when they turned their internet forum into a blog and started hosting wine tastings across the country.

About 70 winemakers have set up tables around the perimeter of an old Soviet era sewing factory loft. There are a couple hundred wine lovers, wine freaks and industry professionals packed in here swirling, sniffing and tasting some truly mind-boggling wine. This is the Zero Compromise Natural Wine Fair, a festival celebrating vintages whose grapes were grown organically, with no yeasts or sulfites added in the cellar. This is pure, unadulterated nectar, the way the gods intended wine to be made, and much like Georgians have been doing it for 8000 years. The Fair is the brainchild of the Natural Wine Association, a union of ten viticulturists and wine-makers who are wholly committed to organic or biodynamic methods. We have been looking forward to this day for 365 days, since our first Zero Compromise experience last year, at Vino Underground.

Going to dinner at a Georgian restaurant typically means having to fast all day. The table will bulge with must-orders: tomato and cucumber salad, badrijani (eggplant stuffed with garlic and walnuts), an assortment of cheeses and wild greens, and probably pkhali (vegetable pate with walnuts) too. There will be meat, lots of meat – lamb, pork, veal and chicken that will be stewed, baked and roasted – and bread to clean the plate with. Perhaps there will be a grilled trout. And don’t forget the khachapuri, because that is just the way it is. After several hours at the table, we will make our final toasts, take one last look at the leftovers, maybe snatch a farewell nibble at a loose chive or slice of cucumber and then waddle out of the joint, with greasy grins and logy eyelids. We grunt while we plop into the taxi and groan as we struggle to climb out when we get home.

Piles of strawberries can be found all over the Deserter’s Bazaar at this time of year. It's a shame that the season is so short – we only have about one month – but we’ll take what we can get, especially since they taste so great.

Back in the days when we spent more time living without electricity than with, when the police had the sole function of extorting money from citizens, and we were never sure whether the Borjomi mineral water we were buying had been mixed in a bathtub, there weren’t many options for diners desiring a break from the generic Georgian menu of those times. Of course, there were the Turkish steam table restaurants in Plekhanov, but our spoiled western palates periodically demanded more. There was Santa Fe, a Tex-Mex inspired restaurant we can credit for introducing “Caesar Salad” (with mayonnaise!) and “Mexican Potatoes,” spud chunks fried with a generous dusting of paprika, which have somehow become staples on virtually every Georgian menu in the city. Then we discovered a place with flavors our taste buds were no strangers to.

We returned to Tbilisi in 2002 with the intention of staying one year. On that first day back, our friends took us to a chummy brick-walled cellar in Sololaki. There was enough sunlight coming down through the door to illume low pine tables and seating for fifty people max. In a refrigerated counter, menu items were displayed: beef tongue, tomato and cucumber salad, assorted cheeses, badrijani (sliced fried eggplant stuffed with a garlicky walnut paste), all the standard stuff. It was a Georgian greasy spoon, for sure, with a kitchen that would make a health inspector shudder, but the khinkali were really good, and the house wine was as decent as it comes. The name of the place was Dukani Racha. Little did we know people had been coming here for decades.

Nunu Gachecheladze, our “pickle queen” at the Deserter’s Bazaar, pickles everything on site from produce she gets at the bazaar, based on her family recipe. While they’re all outstanding, our favorites are her pickled cucumbers and carrots.

We are on the eighth floor terrace of a relatively new apartment building in the Vedzisi neighborhood, nodding our heads with joker grins like gawkers at a freak show. The view is as spectacular as they come in mountainy Tbilisi, but that’s not what we’re chuckling at. There are 43 ceramic urns – kvevri – buried almost a meter and a half into a bed of sand and perlite in what was supposed to be a swimming pool for a nine-year-old boy. But in an epiphanic moment, the child’s father, 43-year-old doctor, Zura Natroshvili, decided to build a marani in the sky instead. The father of modern advertising, David Ogilvy, once said, “The best ideas come as jokes.” Dr. Natroshvili would probably agree. His friends thought he needed psychiatric help when he first shared his idea.

“Tea,” our friend Lasha indicated with a head nod, driving past fields with rows and rows of overgrown, chest-high, bushes of green leaves. It was 2002 and we were zipping along a skinny road littered with potholes on the outskirts of Zugdidi in west Georgia, but we could have also been in Guria or Adjara or even Imereti; regions with tea fields that have also become agrarian relics. Later we visited the last operating tea factory in town, a Soviet era rust bucket of a building that Lasha said churned out leaf dust that was sold to Lipton. Such was the fate of an industry that had once provided the USSR with 95 percent of its tea. However, after decades of inaction, Georgian tea production is slowly making a comeback.

A few months ago a little storefront joint opened down the street next to our neighborhood green grocer, a mom and pop operation that has been there for decades. A varnished wooden counter behind the iron-framed windows and a few matching tables make it fit the new bohemian-chic Tbilisi style popping up the street around Rooms Hotel, the hip four-star flophouse all the travel magazines are fawning over these days. Although the wine list was not well-stocked, the food didn’t disappoint. The pork belly was not the standard room-temperature slab of bacon on a plate, but was oven-roasted and nestled on two puddles of cherry and plum sauce, zesty richness that nearly overpowered the smokiness of the pork. It was simple, bold and delicious. And it was Georgian, although not everyone will agree on that.

In the Caucasus, guests are considered gifts from God. Georgians like to call them okros stumrebi – “golden guests” – an endearment that illustrates the stature the ever-hospitable Georgians give to those they host. And whenever our own golden guests come to visit in this remote corner of the world, we never fail to entertain them in our own surrogate dining room, Shavi Lomi (the Black Lion). The cellar restaurant is an homage to Georgia’s favorite artist, Niko Pirosmani, a naive painter whose favorite subjects were animals, a singer named Margarita and feast scenes. The flea-market furniture, tablecloths and china make the Black Lion an ideal setting for anybody hankering to create a one-of-a-kind, laid-back feast scene of his own, with hearty original takes on traditional Georgian cooking.

Aging beef is not a traditional process in Georgia. So it is very likely that this beef, on display at a butcher’s stall in Tbilisi’s Dezerter Bazaar, was mooing a day or two earlier.

The year was 2001, and we were squeezed around an enormous table, together with a half dozen men in their late fifties, in a small conference room at a Soviet-era tobacco collective in Lagodekhi, near the Azerbaijan border. The director of the collective casually slipped a biography of Joseph Stalin under the table and told us the story of the farm, although we weren’t really interested. Our local host had hijacked us into the meeting, believing we could give these gentlemen sound business advice simply because we were westerners. “Our tobacco is natural, no chemicals,” the director asserted. “Yes,” another man interjected with a grin, “we have no money for chemicals.” The men all chuckled.