Back in the days when we avoided restaurants because they were mobbed with tourists and not because they lacked outdoor seating, when we greeted friends with cheek kisses and never cringed in horror when a person coughed, Vinotheca sold wine from its storefront on Kote Apkhazi Street. A few meters away, Aristaeus Ethno Wine Bar served dambalkhacho fondu at its dinner tables. The two establishments shared the same owner, Gia Darsalia, who also had a shop called Kalata that sold “edible souvenirs,” as he calls them. We liked Kalata so much we tweaked our Tbilisi culinary walk for a stop there so guests could sample artisan cheeses and goodies like gozinaki, a walnut-and-honey candy served only during the holiday season in private kitchens.

On the bottom of Janashia Street and Melikishvili Avenue in the lower Vera district, next to the staid Hotel Sakartvelo, there used to be an unremarkable joint, about the size of a matchbox and tucked into a cozy square, selling khachapuri and muddy coffee. It was the kind of place nobody missed when it closed, as we knew someone else would come along and open another uninspired khachapuri café, rinse and repeat. An Iranian couple tried breaking the jinx by opening an Italian-inspired café named Piccolo, but they eventually closed. Last year Shinichiro (Shin) and Yukiko (Yuki) Ito took over the spot and kept the name, although they offered something Tbilisi had not yet seen – Japanese street food.

Our water glasses were filled to the brim with amber rkatsiteli. After the toast, Ramaz carefully lifted his glass to his nose, followed with a connoisseur’s affirmative head tilt and knocked it back, not coming up for air until the glass was dry. “Super wine!” he exclaimed, smacking his lips and exhibiting the most sophisticated appreciation I had yet witnessed in the birthplace of wine. These were the years locals described wine as either “clean” or not. No one evaluated the nose or flavors because wine was what you washed a sagging table full of food down with, toast after toast, to the bottom, pitcher by pitcher. We judged wine by hangover intensity. The milder the headache, the cleaner – and better – the wine.

We have a Georgian friend named Besik who worked in the Sudanese desert removing landmines. At base camp he came across an old pressure cooker and copper tubing and fashioned himself a little still he filled with fermented bananas. To his workmates, Beso was nothing less than a hero, as Sudan had been dry since 1983. “But banana chacha?” we cried. “Sure,” he said. “You can make chacha from any fruit.” Technically, chacha is fermented grape pomace, but the word is also synonymous with “white lightening” and is used to describe any fruit-based spirit, including quince, feijoa and melon. There is now a flower-based chacha, too, thanks to a Tbilisi woman who has created a smooth distillation from lilacs.

Someone once said that humanitarian workers are like mercenaries, missionaries or madmen. It is a description we have also applied to expats who end up in far-flung places like Georgia. Like the foreigner out in the secluded Kakhetian village of Argokhi, between the Alazani River and the Caucasus Mountains, who has forged his life growing a nearly extinct variety of native wheat and baking it into bread; but he is no madman. He’s a Frenchman. We had first heard about Jean-Jacques Jacob some years ago while visiting the Alaverdi Monastery in Kakheti, when a friend pointed north of the giant cathedral and told us of a Frenchman who had started a farm in the middle of nowhere.

Sunday, April 19, was Easter in the Orthodox Christian world, the holiest day of the year. Like most people in today’s pandemic world, Maka Shengelia, one of our walk leaders in Tbilisi, was home being a responsible citizen. But she was also spreading butter on her own freshly baked paska, Easter bread, popular in the Eastern Church. It is a tall, dome-shaped cake, inseparable from Easter’s other “edible decoration,” boiled eggs dyed a deep magenta with endro (madder root). God will forgive you for celebrating Easter without going to church, but commemorating it without red eggs and paska is another matter entirely.

I don’t recall who first poured us a shot of Riravo’s plum araki, or brandy, but I do remember the surprise at the subtleness of the cool spirit as it smoothly slipped over my tongue and down my gullet. Finally, someone was making a fruit brandy that didn’t smell like a soiled pair of grandpa’s socks. Later, friends recounted a fabulous brandy tasting they attended at the Riravo distillery in Saguramo, a village just north of Tbilisi. I tightened with pangs of envy from missing out. “You have got to meet Goga, the owner,” they urged, and I agreed, wondering whom I could get to be my designated driver out to his place. In the meantime, I’d sip a Riravo pear or persimmon brandy as a digestif when opportunity called and remind myself to get out to Saguramo soon.

Last June, Georgian lawmakers invited a Russian legislator to address an international assembly of Christian Orthodox devotees from the Speaker of Parliament’s chair. This, predictably, did not go over well. Thousands poured into the streets and gathered at the Tbilisi parliament building demanding explanations, resignations and reform from a government many believe is much too cozy with the country that invaded Georgia in 2008, occupies some 20 percent of its territory and quietly moves the border whenever it feels like it. The protests were violently broken up by riot police, who shot rubber bullets into the faces of demonstrators. Russian President Vladimir Putin immediately imposed a ban on all direct flights from Russia to Georgia because Russians, he insisted, were in physical danger in Georgia, which wasn’t the case at all. Shortly after the ban, the BBC reported how welcomed Russian guests felt in Georgia. However, the relationship between the two peoples is rather complicated.

Up above Freedom Square where the Sololaki and Mtatsminda neighborhoods blend together, there is a 100-year-old building with an apartment five steps below the sidewalk. It’s a warm, intimate space, part living room, part museum. A massive collection of wine glasses hang from the ceiling, 19th-century framed portraits of Georgians decorate one wall above a piano, while opposite are glass cases displaying antique ceramic pitchers and elegant, polished drinking horns called kantsi. There are also two vintage silver vessels – exquisite ashtray-sized pans with long stylized handles used in days of old for drinking wine to special toasts. This cup is called an azarphesha, and this entire collection (and the walls containing it) belong to Luarsab Togonidze, a folklorist, author, entrepreneur and co-owner of this welcoming restaurant, also called Azarphesha.

The name Aristaeus Ethno Wine Bar suggests many things, some puzzling but the most obvious being that wine is served. One look at the menu, though, and it becomes clear this spot is more restaurant than bar. One food item in particular caught our attention: dambalkhacho. We first heard of dambalkhacho some years back when a friend offered us hard, moldy cheese bits cut from a ball about the size of a healthy orange. It was rich, slightly peppery with a sharp, tart finish; nothing like any cheese we had ever tried.